ハードカバー
レイラ
ペルシャの詩
品番 9781439798027
- フォーマット: 罫線
- Closure: ゴムバンド
- GSM (紙の厚み): 85 gsm
- エッジプリントあり: Yes
- ポーチタイプ: フリーポケット
- サテンリボンマーカー
- 100%リサイクルされた製本用ボード
- 装飾付きの印刷表紙用紙
- 見返しに、クレジット情報と著作権情報、ならびに元の作品の歴史的背景を記載
- 必要に応じて、糸による縫い付けと接着剤
- 酸を含まない持続可能な森林紙
- メメントポーチ
製品づくりをしていく上で、環境への配慮は必須です。私たちにとって、事業を行うことによる環境への影響を考慮することは重要です。そのため、FSC認証の塩素を含まないアート専用紙を使用することに加えて、スケッチブックは100％リサイクル素材のバインダーボードで作られています。
This design pays tribute to an 18th-century binding that housed the Khamsa, a seminal work by Persian Sunni Muslim poet Nizami Ganjavi (c. 1141–1209). Featuring intricate floral detail, our Layla cover design beautifully mirrors the contents of the original volume.
Considered the greatest romantic poet in Persian literature and described as a “creator of poetic scenes,” Nizami brought a colloquial and otherworldly quality to the Persian epic. His best-known work, the Khamsa (also known in English as the Five Treasures), is a series of five long narrative poems. The first of these, Makhzan-ol-Asrâr, was influenced by Sanai Ghaznavi’s The Walled Garden of Truth, an early Sufi book of mystical poetry. The four other poems are medieval romances.
Nizami’s romance story of Layla and Majnun provided the namesake for Eric Clapton’s hit single “Layla,” from the album Layla and Other Assorted Love Songs, which was highly influenced by Nizami and his poetry of unrequited love.
We first introduced our Persian Poetry series in Spring 2024 with The Orchard, a cover reproducing a 17th-century binding of the Bustan by the poet and prose writer Saadi (1210–1291). The delicately adorned cover of this Layla journal, the second title in the series, reflects the beauty of the words held within the original 18th-century book.