ハードカバー
ウィーンの果実
ヴォックス・ボタニカ
品番 9780349713311
- フォーマット: 罫線
- Closure: ゴムバンド
- GSM (紙の厚み): 120 gsm
- エッジプリントあり: Yes
- ポーチタイプ: フリーポケット
- サテンリボンマーカー
- 100%リサイクルされた製本用ボード
- 装飾付きの印刷表紙用紙
- 見返しに、クレジット情報と著作権情報、ならびに元の作品の歴史的背景を記載
- 必要に応じて、糸による縫い付けと接着剤
- 酸を含まない持続可能な森林紙
- メメントポーチ
製品づくりをしていく上で、環境への配慮は必須です。私たちにとって、事業を行うことによる環境への影響を考慮することは重要です。そのため、FSC認証の塩素を含まないアート専用紙を使用することに加えて、スケッチブックは100％リサイクル素材のバインダーボードで作られています。
Unheralded wildflowers and weeds are given a voice in our Vox Botanica series, featuring the work of celebrated Art Nouveau illustrator Anton Seder.
The sinuous lines and naturalistic details are a signature of the Art Nouveau style, but Seder (1850–1916) made his own mark on the genre by bringing in Victorian, Baroque and even Japanese woodblock inspirations. This particular piece, originally chromolithograph on paper, comes from one of his best-known works, Die Pflanze in Kunst und Gewerbe (The Plant in Art and Trade). Published in Vienna in 1890, it contains two volumes of stunning prints gracefully depicting elements of nature. With its vibrant colour palettes and neatly compartmentalized structures, it is clear why this became a seminal work of the Art Nouveau moment.
Anton Seder was a painter, craftsman, designer, art professor and Director of the noted Kunstgewerbeschule (Arts and Crafts School) in Strasbourg, Alsace-Lorraine. With the region at that time hotly contested by both France and Germany, the art scene that arose offered a unique marriage of cultures as it was pulled between the two countries. Influences from both can thus be seen in Seder’s work. His harmonious use of space, plethora of details and candid depiction of natural elements drew us to this piece, and with it we hope to herald Seder’s unique voice and vision in a new era of art and trade.